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FABIO GRASSO aims to recreate a figure of musician that keeps together the aspect of virtuoso pianist, with wide-ranging classical and contemporary repertoire, and that of all-round cultivated composer, firmly anchored to the aesthetic heritage of the European historical avantgarde, not only interested in piano music, but also in chamber, symphonic and theatrical fields, whose creative research focuses on the construction of a strongly characterized harmonic language.




Born in Vercelli (Italy), he began the musical studies in his town under the guidance of Mario Barasolo and Jean Micault. He took the Piano Degree at 17 with full marks and the mention ad honorem (Conservatory of Turin, section Cuneo). He obtained the Degree in Composition at the Conservatory of Milan, where he had as teachers Sandro Gorli, Umberto Rotondi and Guido Guida, and the doctor title in Classical Greek with full marks at Turin University, section Vercelli.

He attended the piano specialization courses of Marco Vincenzi and subsequently of Maria Tipo at Fiesole Music School, where he was also student of the composition special courses of Giacomo Manzoni. He followed other special courses, like a piano stage of Klaus Hellwig at HdK Berlin, and a 3-years composition course of Franco Donatoni. At last he obtained the new state doctor’s title in Piano with full marks and the mention ad honorem at the Conservatory of Alessandria.

He is currently professor at the Conservatory of Venice.





In 1996 Fabio Grasso won the Orléans International Piano Competition, the most important competition dedicated to the modern and contemporary piano music worldwide. In this occasion he was highly appreciated both as interpreter and as composer. Subsequently he was invited to play for Orléans Orchestra season, Radio France Montpellier and Paris (recitals, Concertos by Mozart, Beethoven and Ligeti), Colmar Festival, Parisian series of CNSM, Salle Cortot, Théâtre du Châtelet and Salle Gaveau, where he performed his own Suite. In 2012 as jury member of the Orléans Competition he held its opening recital, premiering his own Fantasy.

Download reviewsListen to the Fantasy on YouTube


He recorded 3 CDs for the French label SOLSTICE: in 1998 Busoni’s Elegies, Toccata, Albumblätter (this CD got the Recommendation by Répertoire and the CHOC du mois by Le monde de la musique), in 2002 6 Études and 8 Morceaux by Anton Rubinstein (first world recordings), and in 2004 Schumann’s Carnaval and Symphonic Etudes with Posthumous Variations, which got excellent reviews.

Moreover he recorded the 5 Fugues and a choice of 9 Sonatas of Domenico Scarlatti for Euterp.

Among the new recordings for independent productions: Chopin MP3 Album #1, 14 Valses, Fantaisie op. 49



Finalist of the Busoni Competition in 1999, Fabio Grasso is able to propose extremely varied recital programmes, with classical, romantic and modern-contemporary repertoire, including the works composed by himself.





Visit the Virtual Recital "Shrines of Memory" - six piano works @ rosenfinger.com


Between 2007 and 2011 he performed BEETHOVEN'S COMPLETE SONATAS for the Viotti Society in Vercelli, ending the cycle by the Hammerklavier Sonata op. 106 and the Diabelli Variations in the same recital.

Read the BEETHOVEN PROJECT page, with the review of the last concert and the complete program notes.


Another "large-sized" projected series concerns SCHUMANN'S MAJOR PIANO WORKS, to be presented in a non-linear concert route, together with digital lectures about their literary and philosophical background.


Read the presentation @ rosenfinger.com


Listen on Youtube:

Novellette op. 21 n. 1 with videoanalysis

Widmung op. 25 n. 1, Liszt's piano version

Excerpt from the Solstice CD with op. 9 and 13


In collaboration with the pianist and composer Letizia Michielon he performed, both as shared recital and in the form of recital with masterclass, the complete Ligeti’s Etudes, as well as other multicultural shared contemporary programmes, mixed two and four hands, often in connection with themes of the figurative art, for several important European and American institutions, including Berlin BKA Theater and the musical Universities of New York (NYU), Vienna (MDW), Montreal (McGill) and Warsaw (Chopin Academy).






Winner in 1996 of the First Prize of the Buenos Aires Ginastera Competition with the work for guitar and orchestra Katoptroeidès (LISTEN ON YOUTUBE, Buenos Aires Teatro Colón performance) and In 1999 of the Prize Journées de la jeune musique de Marseille with La Sérénade aux tristes sourires (LISTEN ON YOUTUBE) for 11 instruments, awarded with unanimous vote of the jury and the special mention of the public, Fabio Grasso shows his varied compositional research in a catalogue which includes instrumental and vocal solo, chamber and symphonic compositions, performed by himself and by other remarkable players (always with high appreciation of his writing) in prestigious European and American venues.


Browse the CATALOGUE OF THE COMPOSITIONS for all details.


Visit the Virtual Recital "Shrines of Memory" - six piano works @ rosenfinger.com


Read the NY reviews (New York Times and Musical America) of Blumentraum, performed in New York, Merkin Hall, for the Washington Square Contemporary Music Society.


Listen on YouTube to HEX-A-GON, performed at the Gaudeamus Festival, Amsterdam, Ensemble Télémaque.


Many works of Fabio Grasso are inspired by literary themes. Some examples:


Listen on YouTube to Tháleia, homage to E. Dickinson, and L'Aurore au plumage noir, homage to S. Mallarmé, both performed in Venezia, Teatro La Fenice, Plurimo Ensemble, with the composer at the piano.


Listen on YouTube to La danza segreta di Maeve, homage to W. B. Yeats, performed by the author for the season of Radio France Montpellier and the Colmar Festival.


Listen on YouTube to Der gefesselte Strom for two pianos, homage to F. Hölderlin, performed by Fabio Grasso and Antonio Tarallo in several Italian cities. See also the page OTHER PROJECTS


From other poems of F. Hölderlin the composer has drawn the text for Der Sternenkuss, for soprano and string quartet, performed in Venezia, Teatro La Fenice, by the Ex Novo Ensemble, as a part of the PROGETTO PROMETEO AGIMUS VENEZIA, and recorded on a ROSENFINGER CD that collects the whole production.


Many projects for new chamber, symphonic and vocal symphonic works have been conceived in connection with other literary topics, and above all with relevant themes of the modern and contemporary history of Europe.

All projects can be realized in relatively short time.

For details contact info<at>fabiograsso.eu